There were very few teachers back then, so I agreed to try it." Keola published an instruction manual entitled "Hawaiian Slack Key". People started coming in to ask about slack key. We had the wild idea we could make nice guitars out of koa and mango wood so we took out a loan from the Small Business Administration and started the Guitar and Lute Workshop on Waimanu Street in Honolulu. "In my early twenties, I was making guitars with George Gilmore and Donald Marienthal. About 1972, Keola and Kapono provided slack key guitar lessons at the Guitar and Lute Workshop, a custom guitar manufacturer and recording studio located near Ala Moana Shopping Center on Piikoi Street. He started offering lessons in the early 1970s, at a time when most players would only play for family members. Keola and Moana Beamerīeamer is influential as a teacher. After several pop-oriented albums, Keola connected with George Winston's Dancing Cat recording project for five releases between 19, emphasizing slack key guitar and Hawaiian lyrics, but without abandoning "contemporary" influences. In the 1980s, the brothers separated professionally, each producing award-winning records. Their ' 1978 LP Honolulu City Lights title song was a popular single in Hawaii, and in 2004 Honolulu Magazine placed the album first on a list of the fifty most important Hawaiian albums. In their seven albums over the next decade, they played an important part in establishing the style that came to be called "Hawaiian contemporary," rooted in Hawaiian language and tradition but open to influences from elsewhere, incorporating rock, pop, Latin, folk-revival singer-songwriter, Hollywood soundtrack, and more. Keola and Kapono performed as a duo, mixing traditional materials and styles with mainland pop influences. The album featured traditional songs as well as songs composed by Keola, Kapono, and Winona. This second album was headlined "Jack de Mello presents Keola and Kapono Beamer" and titled "This Is Our Island Home - We Are Her Sons," and subtitled "Hawaiian Slack Key Guitar in the Real Old Style". His debut recording in 1972 was headlined "Jack de Mello presents Keola Beamer" and titled "Hawaiian Slack Key Guitar in the Real Old Style", followed in the same year by an album with his brother Kapono in 1972. Career īeamer's career began in the early 1970s. His great-grandmother was Helen Desha Beamer, an influential songwriter and hula dancer. He can trace his roots to the House of Kamehameha and Ahiakumai, 15th century rulers of Hawaii. His ancestors were musicians for the previous five generations. His mother, Winona Beamer ("Auntie Nona") was one of the most important figures in the revival of Hawaiian culture. Keola was born in Hawaii on February 18, 1951.
Keola Beamer descends from one of Hawaii's most respected musical families. Keola Beamer (born Keolamaikalani Breckenridge Beamer February 18, 1951) is a Hawaiian slack-key guitar player, best known as the composer of " Honolulu City Lights" and an innovative musician who fused Hawaiian roots and contemporary music. JSTOR ( January 2013) ( Learn how and when to remove this template message).Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libelous. This biography of a living person needs additional citations for verification.
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